So my allnighter went well, though I don't think I can call it an allnighter. I felt the need to be cozy warm and do something else than paint around 11 o'clock, so I opened the sofa bed and started looking up artist residencies and grants. I found so many opportunities within the little time before I decide to 'rest my eyes'... It is 9 AM and I just woke up.
Yet, to be in this environment in my waking moment has inspired me to stay today, and paint some more. It is a little chilly in here ( yeah, the heating system is down), so I changed into my extra tee-shirt and my extra sweater ( a very old black turtleneck I stole from my mother; it is ugly, loose, and so unflattering, but so cozy. I just can't get rid of it. ), as well as one of my scarves ( I have millions...) and off I go for another creative morning! I guess I found a new way of stimulating my creativity: getting out and changing my ordinary schedule.
We all have our triggers for our creativity; many artist and designers will confirm this. I personaly love this series from freelance designer Marc McGuiness. It adresses time management, creative rituals, and so many other tricks to make it possible to thrive as an artist. I love how he talks about this writer who needs a specific type of pen with a specific type of paper to write novels. This got me thinking about what my ritual was; I think I don't have a defined ritual, which might be the reason these days, my creative discipline is a little shaky! I remember I use to go get coffee at a certain time everyday, and then do a little doodling, later starting on the painting. But really, that is it. Will I have to start pulling allnighters? Have a sleepover ritual?
Anyway I'll think about it. Right now, my fingers are full of the ' get-painting-you-lazy-human' ants.
It occured to me that if I refused to assess the matter, I would never be a professional artist. Reality struck. I am an artist, but I need to learn the business of art. Because I am a project driven person, I decided to create a blog where I will share with you my experience of becoming money-wise ( not money thirsty), time-wise ( juggling a job and your passion is an art in itself) and life-wise. I will simply share with you my experience of artsy living.
Sunday, September 30, 2012
Saturday, September 29, 2012
Keeping it out of my comfort timezone
And here I am at the studio, painting. It is now 9 o’clock,
and I’m taking a little break, so to speak. I am here since 1 o’clock in the
afternoon. And it is good.
I decide to do two things today: pull an allnighter, and
test one of my boyfriend’s theories, the Survival Kit. He says you can survive in any situation with
a tooth brush and a pair of clean underwear.
Coming from a traveler, I take this for the truth. I edited his idea
into the Ultimate Artist Survival Kit: a
blanket, an extra tee-shirt, an extra sweater ( oh, yeah... most artists won’t
tell you, but one of the things about a studio is that, inevitably, it is cold,
because, inevitably, the heating is not on yet, even if october is here), a
tooth brush and paste, the ever-so-important clean undies and your studiomate’s
sofa bed.
But why pull an allnighter? Usually by now I would be out
and going home, where I would take a shower and go to bed, my brain being
exhausted by the painting day I just had. Yet, I would be more exhausted by the
thinking: where to put this color? Is the painting good enough? How will it
look? I remember, in art school, when I had homework for the next day, I
sometimes painted late into the night to finish it. I was not thinking, just
painting, because it had to be done. My
brain got into a surrealistic state where you just pour out whatever you got,
because that is all you have left. I then went to bed really early in the
morning, telling myself : ‘I’ll just hand in this thing. If I get a C, I’ll be
happy’. The next day, when I looked at my work, I surprised myself because the
work was actually good; it was raw, simple and personal. The filters had been
removed by the fatigue and the
carelessness. I want to recreate this state today; I feel I need that careless
feeling paired with the action of smearing paint on a surface.
I already worked on 3 paintings, and started sketches for a
friend’s poetry book. The little blank
canvases are looking at me, serenely from the floor. I have a wood panel drying
flat, splashed with toxic fluorescent green paint, and a huge 6 feet by 6 feet
portrait behind me. I did the
underpainting for some sculpture paintings, and gessoed some surfaces. I’ve
done more today than I have in the last two weeks. I have given myself this time, and it is
handing to me some great things.
Turns out the studio under ours is having a party, and I
hear the music playing as if I was there.
It is very much fun to hear oldies and paint. Make me think I am in the right place, at the
right time.
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